Snow Time 2015


Transparent Interaction, 2016


Free Space Tempo, 2016
 

ENG_transparency_of_time.pdf
NL_transparency_of_time.pdf


Dr. Hugo Heyrman /
Tranparency of Time


— an extensive exhibition,
from 15 january - 12 march 2017
Gallery De Zwarte Panter, Antwerp

The exhibition 'Transparency of Time' (2017) reveals how Dr. Hugo Heyrman explores the possibilities of painting and the adventure from earlier periods: A Transformative Gaze (2014), Another Reality (2013), Inside the image (2011), City Life & Body Language (2009). This is his 13th solo-expo (since 1975) in the gallery De Zwarte Panter, Antwerp.

An imagined reality
The work of Dr. Hugo Heyrman is a continuous adventure into the power of painting and the resonance of the image. He questions the origins of perception and the way images shape our reality: a transformative balance of figuration and abstraction – with light as time, colour as space and transparency as form. Dr. Hugo paints shapes of time, images with a build-in attention for the factor time, the fourth dimension in art.

Evoking a transparent dimension to time, he painterly reveals new thought patterns of time-experience – folds in time, rhythms of duration and the mobility of change. From this perspective, the ‘real’ becomes ambiguous. A (time-)gap is suggested between representation and presentation, and we enter a world of appearances where the atmosphere is enigmatic. The beauty of not understanding something.

A timeless now
Like dreams, memories and moods, the paintings are about the image as event. The structuring of time, city life and body language, a spectrum of the human figure/condition in space-time: moving, sitting, standing, walking… every person in motion carries a private time. Touching on the role of time as the oldest riddle of life, the paintings offer a space for transparency, as a liberating value, a pictorial world, where past, present and future can come together in a timeless now.

Touch is the mother of all senses. With an intense tactility, Heyrman makes us more aware of the magic of an imagined reality – from déjà vu to jamais vu, transformed into a painting, where the ‘moment’ is not fixed, but remains ‘active’, in a space/time continuum where the spectator is also involved. Transparency of Time reveals a triple temporality: a flow of life, a timeless now and an endless duration. With his work he shows the viewer that what we see is always more than what we see.

 
         
 


Personal Tempo, 2013


New Day, 2014


Window Cleaner, 2014

  ENG_a_transformative_gaze.pdf
NL_a_transformative_gaze.pdf


Dr. Hugo Heyrman
A Transformative Gaze


— an extensive exhibition,
from 16 November - 18 January 2015
Gallery De Zwarte Panter, Antwerp

The extensive exhibition 'A Transformative Gaze' reveals how Dr. Hugo Heyrman as a painter explores the possibilities of his medium. The paintings and works on paper provide an insight into the recent development of prior periods: Another Reality (2013), Inside the image (2011), City Life & Body Language (2009). This is his 12th solo-expo (since 1975) in the gallery De Zwarte Panter, Antwerp.

Turning points
Heyrman paints —"because it’s a fascinating experience, how different the world could look on canvas.” The works are reflections on the appearance of the real. From a personal archive, experiences, memories and imagination, cinematic scenarios are coming into existence. They are pictorial transformations about the mystery of the flux of life. Recurring themes are philosophical and psychological turning points, city life, body language, love, loneliness and the human condition.

The transformative atmosphere of the work belongs to an imaginary world. His work has a unique look, which opens up the imagination in interaction with the work. The images seems to vibrate and have a liquid look. They speak for themselves. It’s a crystallization of the painting process. They also shows us the beauty of not understanding something. In the artist’s oeuvre the gaze is always moving, between an outer and inner world. On canvas, the transformative gaze of the artist continues further in time.

Resonances
A relevant characteristic is that Heyrman gives expression to an uninhibited sense. He creates images with a promise of what is still to come. His approach is deliberate and informal, without rhetoric or irony. By building up suggestive layers of paint, he evokes a mental space. The sensual tactility of his brushstrokes, together with the symbolic/emotional meaning of the colour, encourages an involvement with the world, in an atmosphere of resonance.

The artist shares the experience of a another reality with us, by making the extraordinary in the ordinary visible, for example; The Cherry Pie (2014), a deep reflection on presence and absence, with a crystalline transparency, or Personal Tempo (2013) and Yellow Visibility II (2014), where a solitary figure moves forward in a cosmological-like environment of colour, light, shadow and elemental forces. These are images in which the gaze can get lost endlessly. Dr. Hugo gives the gaze of wonderment an existence in painting.
 
         
 


Cycling Light, 2014

  Art Brussels 2014

Dr. Hugo Heyrman, new paintings
Represented by Galerie De Zwarte Panter
 
         
  Generations, 2013
  Art Brussels 2013

Dr. Hugo Heyrman, new paintings
Represented by Galerie De Zwarte Panter
 
         
 
Two Figures, 2011


Liquid Tree, 2012

Visibility 1, 2011


The Turn, 2013
press-english-reality.pdf
pers-nederlands-realiteit.pdf


Dr. Hugo Heyrman/ another reality
— an extensive exhibition,
from 4 November - 20 January 2013
Gallery De Zwarte Panter, Antwerp


Vernissage, saturday november 3th at 4:00-10:00 pm.
Open from thursday till sunday from 1:30 – 6:00 pm.
Closed on 27-28-29-30th december 2012
Hoogstraat 70-72-74 tel: 0032 (0)3 233 13 45


In the sixties, Heyrman revealed himself as the tender but inveterate anarchist, when he introduced happenings, video and conceptual art. With this rebellious attitude he started to paint (see the monography: Dr. Hugo Heyrman, author: Joannes Késenne, publisher: Snoeck). In 1967, he participated in a group show at the Wide White Space, where also work by Gerhard Richter could be seen. It affirmed his choice to become a painter. For his 'City & Street Life' series: to perceive the perception, he was elected laureate of the Jeune Peinture Belge (1975), paving the way for a more conceptual painting practice. Thereafter, besides his crossover activities as filmmaker, Internet pioneer, synesthesia- and new media researcher, he remained primarily a painter and realized an oeuvre that continuously played a pioneering role.

Potential images
About his motivation Heyrman says:
"My reflections on the world and society are motivated by the idea that a single moment of understanding can flood a whole life with meaning. Art creates another reality. Starting from existing images, I paint the ambiguities of the visible, potential images with ambivalent meanings, so that another pictorial and mental space is opening up: cinematic, enigmatic and open-ended"
.

In Dr. Hugo's painterly world, there are no boundaries between abstraction and figuration, objective and subjective, memory and imagination. The painter allows the viewer to explore a potential space —an atmospheric dimension of depth, tonality and color gradations. This transparent thinking leads to a liberating insight in the psychology of the image. Relevant for Heyrman's 'perspectivism', is the discovery of the unknown in the known.

Mental filters
'Another Reality' presents images of a changing world. In 'The Crowning' (2011) we see how a young woman puts on a safety helmet. It is a powerful metaphor for the contemporary fragility of life. With a remarkable impact, it accentuates the continuous presence of the past, contained within all of us.

For Heyrman, painting is a source of visual pleasure, but also a reflection on the visual and mental filters through which we experience the beauty and complexity of all images that surround us. The visual content of the informally painted images goes beyond words. It's all about what's happening when you look at a painting. Forms and colors act on us pre-reflectively; they affect the viewer before they become aware of what the brushstroke actually represents. Characteristic for his body of work is that it stirs emotions and the intellect equally. He shows us that essentially everything is a matter of degree. Dr. Hugo Heyrman's paintings function as potential images, which resonate in our minds.
 
         
 


 

  Dr. Hugo Heyrman / Art Brussels 2012
Represented by Gallery De Zwarte Panter
 
         
 
Inside the image, 2010


Body Power, 2009


The Entering, 2010
  press-english-inside.pdf
pers-nederlands-inside.pdf

Dr. Hugo Heyrman
/ inside the image
14 November 2010 - 9 January 2011

Gallery De Zwarte Panter, Antwerp

Vernissage, saturday november 13th at 4:00-10:00 pm.
Open from thursday till sunday from 1:30 – 6:00 pm.
Closed on 30-31/12 and 1-2/1/2011
Hoogstraat 70-72-74 tel: 0032 (0)3 233 13 45


The exhibition 'Inside the image' comprises more than forty paintings, including fifteen works on paper.

"What fascinates me are the nuances, intonations and modulations between the unique (subjective) and general (objective), the tension between the inner and outer world. I paint the interaction between things."

The intensification of the gaze
With his work Dr. Hugo Heyrman explores the physical, visual and conceptual boundaries of an image. Since the 1960s he has emerged as one of the most important painters of his generation. His artistic achievements are based on a series of paintings, including 'To Perceive the Perception' (1975), 'A Vision is finer than a View' (1986), 'Cinematic' (2003) and 'City Life & Body Language' (2008). A central concept in his work is the appearance and disappearance of images; the temporality of atmosphere, perspective, reflections, shadows and traces. Another returning theme is the fragility of modern life, whereby the body language of human emotions are situated against a background of changing urban existence.

Images of images
Some paintings are fragments from other paintings, for example 'Visibility #1' and 'Visibility #2', both are details from the larger work 'Snow Gaze' (2010). Heyrman says, "The act of painting leads me to other dimensions within the image, it opens up new imaginative meanings." In the exhibition we can experience these intentions, translated into matter, form, colour, light and transparency. The artist takes you along on a psychogeographical journey, making you aware of the fact that in the experience of a small world you can discover the whole world.
 
   
 

  Dr. Hugo Heyrman / Art Brussels 2010

Recent works on paper by Dr. Hugo Heyrman,
Represented by Galerie De Zwarte Panter

 
         
 
Cover: Belgiëlei, (detail)
Flyer-Nederlands.pdf
  Dr. Hugo Heyrman / Monography

Author: Joannes Késenne - Publishers: Snoeck [BE] - De Zwarte Panter
Bilingual edition: Dutch and English - ISBN: 978-90-5349-685-5


Synopsis
The artist Dr. Hugo Heyrman occupies a unique position within the art world. Looking back at an artistic career of more than forty years, we are confronted with an oeuvre that has long played a pioneering role – beginning in the nineteen-sixties, when he introduced Belgium to performances, actions, and conceptual art together with Panamarenko. These artistic projects, trendsetting for their time, were often framed in terms of ecological critique – such as the proposal for an auto-free inner city. At the beginning of the seventies, he set the tone with video art. Some will associate his name with the first digital experiments in the art world, and may not even realize that even from within all these diverse media, he still considered himself a painter. Conversely, even in his very earliest painted work, we already recognize that filmic zoom-function which enabled an entire generation of Flemish painters to break new ground in the nineties. Because he enjoys international renown in both the academic world – with his insightful analysis of synesthesia – and the booming alternative world of young digital artists on the web, no one seems to suspect that his ever-present painter’s intuition is still behind it all. Starting from a transparent mode of artistic thought, he consistently plays on the possibilities of various media to give form to that which is the essence of representation: the abstraction of every representation. This publication offers insight into the development of an artistic vision. The work of Dr. Hugo Heyrman makes a statement about the poetics of painting, about observational thinking, and about questioning the truth of images.
 
         
    Dr. Hugo Heyrman /
City Life & Body Language
2

16 November 2008 - 1 February 2009
Galerie De Zwarte Panter, Antwerp

Introduction and book presentation by
Joannes Késenne professor PHL. at 6:pm
.

The works from the cycle 'City Life & Body Language' are making the tension between experience and imagination visible. Dr. Hugo transforms visual experiences of atmosphere, light and dark, colour and time, into statements about painting. The 'painted image' reinvents the world. The paintings are about the discovery of the unknown in the known, investigating how meaning is created. One central theme with Heyrman is his existential engagement with the fragility of contemporary life: the city and street as a form of society.
 
         
 

Surrounded


Walking

Enigma
  English.pdf Nederlands.pdf Français.pdf

Dr. Hugo Heyrman
/
City Life & Body Language
1
8 September - 15 October 2006
Galerie De Zwarte Panter, Antwerp

"I consider my paintings as meta-images (images about images). They are reflections on the influence of images. I create the physical reality (the skin) of a painting, by giving 'paint' an independent dimension. I feel as much image-maker as painter."

The paintings in the exhibition are a visualization of two concepts: city life & body language. In the works, I developed a transformative vision, a questioning of the status of perception, memory and images. They show the ambiguous link between the painted image and reality —reality is a moving target.

A city is especially defined by its diversity and street culture; how people differ from each other, how people are using silent language and personal space. How motion precedes emotion. Up to 90% of all of our communication is nonverbal. The body does not lie. The subliminal messages of the body are playing a major role in how we relate to others and how they see us.

Our bodies are the most public signals of our identities, and private reminders of who we are. We imagine by remembering, or vice versa. In the ritual quality of interpersonal actions there is a hidden code of behavioural patterns, through which hierarchical and social power structures emerge.

The paintings are ways of seeing, forms of visual thinking, they make the virtual and mental space of an image real. The power of painting is based on the fact that it is a nonverbal, manual, immediate, silent and static form of art.


 
         
 
Surrounded
   
         
 
What is Fear?
  Chronology
The painting series: a chronology

La série peinture: une chronologie
 
         
 
Sunlight